瀨戶內海藝術行 ✤ 男木島

the Island Ogijima

053 男木島の魂 / 男木島之魂 / Ogijima's Soul   Jaume Plensa,   Spain

「船で島に来た人を迎える、港の半透明の空間。屋根にはさまざまな文字が組み合わされ、日中はその影が地面に映る。

The translucent space in the port welcomes visitors arriving on the island by boat. During the daytime, the letters that make up the roof cast shadows on the ground.

迎接乘船蒞臨島嶼訪客，位於港口的半透明空間。屋頂組合了形形色色的文字，白天時其影子反照在地面。」

055  Lighthouse Keeper  Minouk Lim

「木下惠介監督の映画「喜びも悲しみも幾歳月」には、男木島の灯台が登場する。そこに語られる物語と、実際の島の人々の生きざまをもとに作品をつくる。島に新たな光を灯すような作品だ。

The lighthouse at Ogijima Island is featured in the film Times of Joy and Sorrow directed by Keisuke Kinoshita. This work is based both on the story of the island as told in the film and on the way of life of real islanders. It is a work that throws new light on the island.

木下惠介導演的電影「亦喜亦悲幾度秋」中，男木島燈塔曾在作品出現。將電影中描述的小島故事，再加上在島上生活的島民人生為主題創作。此作品彷如重新點亮的小島之光。」

054  男木島 路地壁畫企畫 wallalley / 男木島 路地壁画プロジェクト…/ Project for wall painting in lane, ogijima wallalley  眞壁陸二  Rikuji Makabe

「“wallalley” is a coined word that combines “wall” and “alley.” Installed on the exterior walls of houses, the outlines of the landscape are colorfully depicted in works made from discarded lumber and scrapped vessels collected on the island. Found in several places around the island, they have already become a part of the island scener

「wallalley」とは「wall（壁）」と「alley（路地）」を組み合わせた造語。島で集めた廃材や廃船などに風景のシルエットをカラフルに描き、民家の外壁に設置した作品だ。もはや島の景観の一部となっていて、あちこちで眺められる

「wallalley」是結合「wall(牆壁)」和「alley(巷道)」的造句。將島上收集的廢材及廢船等，畫上色彩繽紛的風景造型，設置在民宅外牆的作品。作品已成小島景觀的一部分，隨處可見。

2000年起以畫家身分活動，2008年開始同時進行以壁畫手法創作的場域特定藝術（Site-specific art）以及帆布繪畫，活躍於國內外。剪輯收集斷片狀的樹木與自然景物，作成拼貼畫，以此為元素表達記憶、宗教、生死感等主題。」

058  アキノリウム  /   Akinorium    松本秋則    Akinori Matsumoto

「建物の1階を「影絵の展示会場Sound Theater」とし、自動演奏をするサウンドオブジェの影絵を映し出す。また、2階の「サウンドオブジェ屋敷」では、天井裏と床に数多くのサウンドオブジェを設置、立体的な音響が体感できる。

The first floor of the house is given over to a Shadow Picture Sound Theater, displaying projected shadows of the sound artworks that are playing automatically. In the Sound Artwork House on the second floor, multiple “sound objects” installed in the rafters and on the floor allow visitors to experience the sound effects in 3D.

建築物1樓展示「影畫展示會場Sound Theater」，反照自動演奏的音響擺設的影畫。另外，在2樓的「音響擺設屋」，屋頂及樓面設置了許多音響擺設，讓訪客感受立體音響。

1982起開始創作發聲作品，使用這些作品，將各種空間打造為聲音裝置藝術。」

061  オルガン / 風琴 / Organ    谷口智子  Tomoko Taniguchi

「島の路地に望遠鏡などを組み込んだパイプを配管した体験型作品｡

An interactive work of pipes incorporating telescopes and laid along the island lanes.

在島內巷道配置了組合望遠鏡等管線的體驗型作品。」

062  記憶のボトル  /  Memory Bottle / 記憶之瓶   栗真由美  Mayumi Kuri

「島の人たちの思い出をボトルに封入し、小さなあかりをともす作品。

The work seals the memories of the islanders in bottles that also contain small lights.

將島民的回憶封進玻璃瓶，點燃微弱燈光的作品。以金屬為素材開始藝術創作，近年來使用燈光與電機等材料製作立體作品。」

063  漆の家プロジェクト / うるしのいえぷろじぇくと / 漆之家 / Maison de Urushi Project

「地元の漆芸家たちが参加し、木造家屋を香川の伝統的な漆芸技法で改装。黒、白、赤、青など色彩豊かな香川漆芸の特徴に触れ、その奥深さが体感できる。玄関正面の5技法パネルも見逃せない。

A wooden house was renovated with the help of local lacquer craftsmen who applied traditional Kagawa lacquer techniques. Visitors can experience the rich depths of the black, white, red, and blue colors of Kagawa lacquer. Do not miss the information panels about the five lacquer techniques at the entrance.

由當地的漆藝術家參加，運用香川傳統漆藝技法改裝了木造房屋。憑藉黑、白、紅、青等色彩豐富的香川漆藝特徵，讓人感受其深度內涵。使用5種技法鑲嵌的大門鑲板也不容錯過。」

065    歩く方舟 / 步行方舟 / Walking Ark    山口啓介   Keisuke Yamaguchi

「旧約聖書に出てくるノアの方舟のエピソードに想を得た立体作品を海のそばに設置｡海や空に溶け込むよう､白と青に着色した4つの山がある方舟が､海を渡ろうと歩くさまを視覚化する｡いわきに向かって歩き出し、災禍を鎮めるという思いが込められている。

Inspired by the story of Noah’s Ark, this artwork has been installed by the sea. Painted blue and white to blend with the sea and sky, the ark with its four protrusions seems poised to walk across the water. The artist imagines the ark walking off toward Iwaki (a city in Tohoku affected by the March 2011 disasters), and uses the piece to express misfortune prayer for safety from natural disaster.

在海邊設置了構思來自舊約聖經的諾亞方舟而製作的立體作品。為了讓作品融入大海藍天，四座山頭塗上白色與青色的方舟，視覺化了意欲渡海的步行姿態。並朝向磐城邁開步伐，集氣鎮壓災禍的祈福心意。」

066  青空を夢見て／ 夢迴青空 ／ Dreaming of Blue    Regina Silveira   Brazil

「Clouds and blue sky appear as if embroidered on the façade of the Ogi school gym. The source of the image is the blue sky and light in Setouchi that impressed the artist deeply when she visited the island. It is also a manifestation of her wish to give the children a poetic experience.

在男木小‧中學的體育館正門口，出現仿如刺繡般的白雲藍天。當作者探訪本島時，強烈受到瀨戶內海的藍天與光線感動，因而激發創意的印象。它也是希望讓小朋友們體驗詩意的表現。」

在前一天，心靈感受了豊島美術館的滿足，我們依照原定計劃，使用JR Pass從岡山特快火車跨瀨戶內海大橋往四國高松。從高松港往內海許多島嶼渡船班次，除了直島以外，小豆島是大部分人的選擇，設置藝術品多，也是較大的島嶼。不過，我們還是想要慢活旅行，而選擇男木島。
男木島大多是長青者與貓居住，一下船就感受到安靜的氛圍。好幾件生、心、靈作品融入島民生活之中，設置在島民的家中。我們幾乎是參訪島上所有設置的作品。即使沒有計劃觀賞的 066 夢迴青空  也無意間就經過～

其中，058 Akinorium -療癒性的自然聲音；062 記憶之瓶 -運用燈光的裝置及 061風琴 -上的書寫文字 ，引導觀者的進入思想空間的創作概念，讓我深深喜愛。


With our JR Kansai 5-days pass, from Okayama, we took the train crossing the Setouchi sea to Takamatsu, Shikoku. There were ferries to departure to islands at the east of Setouchi from this port. I guessed, most of passengers took choices for Island Shodoshima, as numbers of works were set up on the island. Still, we liked to make our own plan, so Island Ogijima was the choice for us this time.

We loved the atmospheres of calm livings on the Island, soon as we arrived, although the majority residents were senior citizens and street cats. As well as, we loved the most of artworks on this island, which were in concepts and presentations. Moreover, we did spend delighted time there.
058 Akinorium, 062 Memory Bottle  and 063 Organ  are truly inspired me a lot. 




2016.11.4