Exhibition-- Prints Making, Series 3

黑白創造無限色彩

攝影的真實與真像溝通 (communication) 意念並非在此所全然探索。而是絕大在於表達創作者本身的思維方向；敘訴主觀的非意識空間現象 (phenomenon) 與客觀的概念思想 (the other points of views).

而視覺的印象更在於現象的表現，尋找無限。並非主體本身的傳達，亦非真實定律或絕對體。因而主體並主體，虛幻也並非虛幻。

這一直是我影像創作的概念，呈現簡單甚至深色沉重的色調表現。我希望觀看者能被引導入自己的沉思空間；而不是色彩、攝影技巧或技術的畫面單純吸引。

Less is more.

This  series of photographs has been taken up  the concept of the Chinese Brush Painting, are based on light & shadow, since I started to study abroad in Bath. The camera lens as my eyes, to define objects from different points of views.   I constantly apply my imagination and sensations to explore form in spaces and try to create atmospheres based around my environment rather than staging images, as in Traditional Photography.

Using fibre based (photographic) paper, produces prints which have strong rich tones and dynamic visual impact.